This course aims to expose postgraduate music students to social and political issues in music creation and consumption using the lenses of contemporary critical theory. The course will investigate the power relation between musicians, listeners, and music corporations, focusing on how they are mediated by different technology and the dominant political economy. Students will be presented with one or more case studies that include topics like technology in music education, music and Artificial Intelligence, music taste and algorithmic recommendation, music decolonisation, and democratisation of music making.